by Aydan Johnstone
There are many similarities and differences between the songlines and the networked narrative of Facebook. Chatwain outlined the basic concept of the songlines and had an overarching focus on perception and existence: “to exist is to be perceived”. This suggests that an ancestor would only exist to the songline of a totemic ancestor provided they know the song, or are able to perceive it. To exist on Facebook is similar to a songline, given that we exist in social groups that we perceive as beneficial in shaping our networked narrative. This meant that we are able to find our way across the social network (country) providing that we know the people we interact with (song). The songline does differ from the modern networked narrative as Facebook is able to be explored outside our social songline, whereas a songline to the aboriginal people is mostly unrecognizable to a member of another totemic ancestral descent. This shows that narrative is fundamentally orienting (Kuttainen, 2015), whether relating to the traditional songline of the aboriginal people or the modern networked narratives, the social songlines.
References:
Chatwain, B. (1987). The Songlines. London: Jonathon Cape Ltd.
Kuttainen, V. (2015). BA1002: Our Space: Networks, Narratives, and the Making of Place, Week 5: Stories and Places. Retrieved from http://learnjcu.jcu.edu.au/
Unknown, A. (2015). The Dreamtime. Retrieved from: http://aboriginalart.com.au/culture/dreamtime2.html
Wood, B. (2012). What Is A Songline. Retrieved from: http://www.barbarawood.com/blog/archive/2012/06/20/what-is-a-songline
Image Reference:
Mick, J. (1994). Painting of Seven Sisters Songline. Retrieved from: http://sevensisterssongline.com/wp-content/uploads/2013/02/SevenSistersSongline_JosephineMick-Pipalyatjara-1994.gif
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